Pick a crate of lager, shandy or cider and we will knock 50% off a box of crisps. Take the crate
Field

Five pigments that follow the year.

Moss, corn, sunset, sky and blossom. Four of them are a season and the fifth is an accent. They are the illustration and data layer, they are brighter and warmer than the interface, and with one exception none of them is ever used for text.

Field

The five, with their values.

The pigments

Moss #5C6B2F
Spring4.7:1 on chalk — the only field pigment that clears AA
Corn #E9B93D
Summer1.9:1 on chalk — guarded
Sunset #F0794A
AutumnIllustration only
Sky #7FB6D9
WinterIllustration only
Blossom #E9899E
Accent, and the spring secondaryIllustration only

How they are bound

Spring
--season: moss · --season-2: blossom
Summer
--season: corn · --season-2: moss-lift
Autumn
--season: sunset · --season-2: furrow
Winter
--season: sky · --season-2: slate
Default
corn and moss-liftIf data-season is somehow absent

These are the real token values in the build. The [data-season] blocks in the stylesheet are the single source of truth and this page is a description of them, not a second copy.

Roles

What each one is for.

PigmentHexSeasonUsed forNever used for
Moss #5C6B2F Spring Ground fills, chart series, the farming accent Nothing — it is the one field pigment that clears AA on chalk
Corn #E9B93D Summer Illustration, the brewing lift, seasonal furniture Text on chalk. Roughly 1.9:1, and the guard refuses it
Sunset #F0794A Autumn Illustration and the autumn sky treatment Text, anywhere
Sky #7FB6D9 Winter Illustration, the winter sky, the schooling lift Text, anywhere
Blossom #E9899E Accent Illustration and the spring secondary Text, anywhere
Field

The palette in numbers.

5 field pigments Four seasons and one accent
2 custom properties move --season and --season-2, and nothing else
1 clears AA on chalk Moss, at 4.7:1
0 used for body text Not one of them, ever
Two palettes, one estate

Why the field palette exists at all.

The interface could have been done in one palette. Most sites are. The reason there are two is that an interface has to be legible for years and an illustration has to be alive for a season, and those are different jobs with different constraints.

So the field palette is allowed to be bright, saturated and occasionally illegible, because it is never asked to carry a sentence. The poster palette is allowed to be sober, because it is asked to carry all of them.

The two never blend arbitrarily. A field pigment appears in an illustration, a chart series, a seasonal ground or a beast mark. It does not appear in a button, a body paragraph or a legal notice, and if it ever does that is a bug.

Bright is a licence you earn by never being asked to be read.

Corn on chalk is refused

Corn #E9B93D on chalk #EDE6D6 is roughly 1.9:1, which is nowhere near the 4.5:1 that WCAG AA asks for body text. It is the single most tempting pairing in the whole build — it looks like a wheat field — and the contrast guard refuses it every time. Text over corn uses ink instead, which clears 8.8:1 comfortably.

The contrast guard

Field, in four lines

Four seasons

Moss, corn, sunset, sky.

One accent

Blossom, and it is not a season.

Illustration only

With the single exception of moss.

One guarded pair

Corn on chalk, refused every time.

The other palette.

Ink, petrol, chalk, ochre and claret. The interface, which does not move with the season.

Next along the route

The poster palette

Carry on
Basket Book the pub Plot a field Join the list Bother us

Snooping, briefly.

We use a small number of cookies to keep your basket upright and to work out which pages people actually read. We do not sell anything about you to anyone, because that would be a rotten way to behave.

Read the detail